All HUGUET, Jaume Oil Paintings

Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),
 

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HUGUET, Jaume The Flagellation of Christ dg oil on canvas


The Flagellation of Christ dg
The Flagellation of Christ dg
Painting ID::  7646
  1450s Wood, 106 x 210 cm Mus??e du Louvre, Paris
  1450s Wood, 106 x 210 cm Mus??e du Louvre, Paris

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HUGUET, Jaume Last Supper sg oil on canvas


Last Supper sg
Last Supper sg
Painting ID::  7647
  c. 1470 Wood, 172 x 164 cm Museu Nacional d'Art de Catalunya, Barcelona
  c. 1470 Wood, 172 x 164 cm Museu Nacional d'Art de Catalunya, Barcelona

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HUGUET, Jaume Triptych of Saint George (detail) sg oil on canvas


Triptych of Saint George (detail) sg
Triptych of Saint George (detail) sg
Painting ID::  7648
  1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
  1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona

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HUGUET, Jaume Triptych of Saint George (detail) af oil on canvas


Triptych of Saint George (detail) af
Triptych of Saint George (detail) af
Painting ID::  7649
  1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona
  1459-60 Panel Museu Nacional d'Art de Catalunya, Barcelona

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     HUGUET, Jaume
     Spanish Early Renaissance Painter, ca.1415-1492 Spanish painter. He is thought to have spent time in Saragossa in his youth (c. 1435-45), and he subsequently worked in Tarragona before establishing himself in Barcelona in 1448. He must, however, have had contact with painting from Barcelona before he moved there, because the centre panel of an early retable dedicated to the Virgin (Barcelona, Mus. A. Catalunya) from Vallmoll, near Tarragona, shows his awareness of the style of Bernat Martorell in the profiles of the two foreground angels, and of Llu?s Dalmau's Virgin of the Councillors (Barcelona, Mus. A. Catalunya) in the illusionistic painting of the Virgin's jewel-trimmed garments. In other early works, such as the Annunciation and Crucifixion from a small retable (Vic, Mus. Episc.),

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